With his art works having already appeared in more than 40 international festivals and exhibitions, Owen Eric Wood has established a signature style through his video portraits. Lost (2007), The Clothes Make the Man (2008), Made Up (2008), Holobomo (2009) et Parallel (2009), the artist's five latest video works, have appeared at a wide range of festivals, finding a place among both experimental new media works as well as more traditional narrative films.

His work has been showcased in 13 countries, most notably at le Festival du Nouveau Cinéma (Montreal, Canada), the Stuttgart Filmwinter Festival for Expanded Media (Stuttgart, Germany), the FILE Electronic Language International Festival (Sao Paulo, Brazil), the Japan Media Arts Festival (Tokyo, Japan), and Videoformes (Clermont-Ferrand, France), where his video Holobomo received a special jury mention.

The performative dimension plays a vital role in a great number of his videos. The artist himself is present in his work in order to challenge concepts of identity whereby individuals must constantly reinvent or appropriate their own image. The artist dismantles the wheels of such processes while blurring the line between fiction and reality.

Performance and self portraiture are at the heart of the Owen Eric Wood's art practice. As an interdisciplinary artist, he incorporates drawing, sculpture, photography and installation in his videos to reflect existential themes.

In 2009, Owen Eric Wood was the featured artist at the Visionaria International Video Festival (Piombino, Italy), invited to present an exhibition of Quality Time With the Family (2007), an installation that merges performance and video. In March 2010, he presented his first live performance of Parallel (2010) as part of an artist residency at Ateliers Jean-Brilliant (Montreal, Canada).